Waltz With Bashir directly addresses the philosophical question we’ve been discussing here. Ari Folman, the film’s director, served as an Israeli soldier on the perimeter of the Sabra and Shatila refugee camps in Beirut at the time of the massacre committed there by Lebanese Phalangist militiamen in mid-September 1982. Folman clearly feels guilt, and feels that he abetted an act that was comparable to the Nazis’ massacres of Jews in Europe—his parents are Holocaust survivors. To what extent is he, an individual soldier, morally culpable. Should he have acted otherwise than he did?

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Haim Watzman
Just after seeing Waltz With Bashir at the Semadar Cinema in the German Colony, Ilana and I ran into our 17-year old son, Niot, with two friends. They had been at the pool, at their twice-weekly get-in-shape-for-the-army swim class. “You’ve got to see this film,” I told them. “Every kid who is dying to [...]

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Haim Watzman
Beirut is an evocative city even when you’ve only seen it in its worse moments. In yesterday’s New York Times, Roger Cohen waxes nostalgic about Beirut of a quarter-century ago, and in today’s Ha’aretz, Yehuda Ben-Meir praises Israel’s restraint in not invading the city back in the first Lebanon War. I was probably in [...]

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