Haim Watzman An astounding metamorphosis lies at the center of Nisim Aloni’s play The American Princess—now on stage in a truly amazing production at the Khan Theater in South Jerusalem. A son turns his father into a character in a film, receives him back as an actor who plays his father, and then kills—but is [...]

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Haim Watzman Shannon Kisch, the director of Shakespeare Jerusalem’s initially promising but ultimately amorphous production of Henry V, at least has my daughter Mizmor on her side. At nearly midnight last night, as we walked home from The Lab (Jerusalem’s newest and finest stage), Mizmor said, “It’s nice for a change to see someone just [...]

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Haim Watzman “On both sides of a war, unity is reflexive, not intentional or premeditated. To disobey is to breach that elemental accord, to claim a moral separateness (or moral superiority), to challenge one’s fellows, perhaps even to intensify the dangers they face,” Michael Walzer writes in his seminal Just and Unjust Wars. Walzer refers [...]

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