Miss Violet’s Piano — “Necessary Stories” from The Jerusalem Report

Haim Watzman, Review.org Contributor

 illustration by Avi Katz

drawing by Avi Katz</FONT SIZE>

“It’s the piano.” Karin shivered. The music had woken her from an unremembered nightmare. “Someone is playing the piano.”

Or one-eyed her from under his pillow. His muffled voice sounded like it was reaching her from a cave below the floor.

“Call the police.”

My piano,” Karin said. “Someone is playing my piano.” She raised herself on her elbows, felt a creak in her lower back, and looked down on her research assistant.

Or turned over on his side so that he could use both eyes. “That’s impossible. There are two of us in the apartment. Of the two of us, only you know how to play the piano. And you are here. Ergo, no one is playing the piano.”

An arpeggio sounded in the treble, and was then taken up by the bass.

“That is,” Or suggested, “unless a burglar, about to climb the basement window with his loot, was seized by an irresistible desire to play … what is he playing?”

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Lock Me Up! — “Necessary Stories” from The Jerusalem Report

Haim Watzman

Your honor, I realize that it is irregular that counsel for a member of the courtroom audience approach the bench. But I hope that you will hold your peace and allow me, before you hand down the sentences of the men and women convicted in the Holyland case, to present my client’s plea.

     illustration by Avi Katz

     illustration by Avi Katz

My client—this is he, sitting here in the front row, the one with the funny nose, no, he’s not in a coma, that’s just his way of displaying interest—is a man of modest means, a freelance writer whose words have quickened the hearts of a handful of readers around the globe. He’s a family man, devoted to his community and his country, the salt of the earth, as we like to say. Unlike the movers and shakers who sit in the dock before you, Haim Watzman is barely known to anyone of importance. Like millions of other Israeli citizens, he labors long hours silently, without wealth and fame. And he has come here to ask, Judge Rosen, why he, too, should not be provided with room and board by the state for the next several years.

Has he committed a crime? No, he has committed no crime—because Israeli society has given him no opportunity to do so. Had he been born into wealth, he might have used it to corrupt one of our leaders. Had he been appointed to a position of power, he might have used his influence for personal gain. Never having been invested with the public trust, he was barred from violating it.

I ask you, your honor, is this fair?

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Desertion — “Necessary Stories” from The Jerusalem Report

Haim Watzman

     illustration by Avi Katz

     illustration by Avi Katz

The picture I see each morning when I turn on my computer is of my younger son, Niot, in a graveyard. His hands are on his hips, his head is cocked, his eyes look straight at me, and his lips are pressed into a half-smile that says, “What, you again?” He’s wearing a gray coat, striped on the shoulders with the straps of a red backpack. Under the coat is a blue Adidas sweatshirt and on his head is an indescribable hat, which perhaps has something to do with a defunct Polish yeshiva. The cemetery is in Poland, and the photograph was taken during his high school class trip to the concentration camps. Now he’s in another cemetery.

I didn’t miss him then. It was a time when I never missed any of my children. That is, I missed them in the sense that I enjoyed when they were home and wondered how they were doing when they were not, but I never felt that they were out of reach, that I desperately needed to talk to or touch them; I never feared that they would not come back. No longer, because Niot went away and didn’t.

When a child dies, he becomes incessantly present. Niot is always in my thoughts, all the time, and not in the back as he was when he was off at school or in the army. He’s always looking at me and asking, “What, you again?”

He’s close up in my mind, and right there on my computer screen, but so distant. As of the Shabbat in the middle of Pesach it’s three years now, and he grips my heart but recedes; I hold him tight but he is ever more distant.

Niot connected with friends and basketballs, not with poetry, but I often think of poetry when I think of him. Right now it’s a poem by one of my favorite living American poets, Sharon Dolin, and it’s called “The Problem of Desertion.” That’s the title, but it’s also the first line, because after it the poem goes like this:

occurs when time feels like space
and the dead are stuck
on shore

As if time were something you have to push your way through. But am I not the one on shore, the one who stayed behind when Niot went off to Poland, when he went off to Golani, when he went off to Eilat and down into the Red Sea and never came back?

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Foreign Relations — “Necessary Stories” from The Jerusalem Report

Haim Watzman

“You never play your flute anymore.”

Yael and Aharon squeezed into a corner of the standing area by the rear door of the 34 bus, which smelled of exhaust and wet ponchos. Until last week they had gone down to Ben-Zakkai each Sunday and Wednesday to get the 4 alef to Mt. Scopus but now there was this new line that went to the university from Pierre Koenig Street, closer to home. The people were not the ones they were used to seeing. Bracing himself against the handrail as the bus made a sharp right onto Emek Refa’im, Aharon unshouldered his backpack and opened the zipper, removing a damp copy of an article called “Identity and Freedom” by Amartya Sen, which he should have read over the weekend. The floor was too soaked to put the backpack down and the space too cramped for him to get the straps back over his shoulder, so he wedged it between his back and the window and leaned against it.

  illustration by Avi Katz

 illustration by Avi Katz


“You never play the flute anymore,” Yael repeated, looking out at the rain.

The murkiness of the storm-clouded morning was broken by a lightning flash. Yael grabbed his wrist and the article fell to the floor. He cursed under his breath and, apologizing at each stage of descent as he bent down and pushed against the government workers, high schoolers, and nurses who stood around him, picked up the stapled papers, now stained dark with grimy water from umbrellas and boots. The thunder sounded and Yael grabbed his wrist again and put her head on his soggy shoulder.

“Were you talking to me?”

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Justice — “Necessary Stories” from The Jerusalem Report

Haim Watzman

Ornan was staring at his locker and muttering under his breath when I tossed my backpack onto the bench and felt for my keys in my pocket. I’ve had a bottom locker for years at the Jerusalem Pool, hard to see into but easy to pull my gear out of. He first showed up maybe a year and a half ago, when he was assigned a box in the middle-row to my right. He was tall and bony, with shiny, straight, dark hair that smelled of Head and Shoulders. A student, maybe, or just out of the army, from the look of him. He wore baggy trunks and swam badly, at least as far as style goes, raising his head out of the water each time his left hand swung up, splashing the surface with his palms. But, despite all my care with my stroke, he was much faster than I was. In the end, length and leanness of body wins out.

 illustration by Avi Katz

It was hard for me to make out what he was muttering because I just then had a coughing fit. Some virus got me last week and whenever that happens I cough for two or three weeks after I get better. Even after I caught my breath I didn’t try to listen because Asher and Alfi, the two cab drivers who dress on the bench behind me, were joshing about a dispatcher. I like to listen to their banter. Ornan just stood there, not making a move to open his locker. Asher and Alfi went out to the sauna and by that time I was suited up and hanging my shirt up on one of the hooks on the wall. Over the heating system that filled the locker room with mildew air, I could make out Ornan’s voice: “I’ll kill him, I’ll murder him, I’ll stick a knife in his chest and slice down to his balls.” It seemed so out of character that I couldn’t help staring at him in surprise. He looked back and kept on muttering.

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Keeping Spain Spanish — “Necessary Stories” from The Jerusalem Report

Haim Watzman

April 15, 1492

To her most royal Catholic highness, Isabella, Queen of Castille and Leon:

The Genoan madman who bears this letter assured me that he will be received into your august presence this very week. Knowing, as I do, how intelligent you are and how efficient you always have been in acquitting your duties as sovereign, I cannot give much credence to the claims of this man whose breath smells of sausage and whose speech consists mostly of arm-waving. But at this point I am desperate and have no other prospect for conveying a message to court.

  illustration by Avi Katz

 illustration by Avi Katz

I perhaps may take credit for teaching you to first read the second paragraph of every document as a way of deciding whether it is worth your time, so let me get to the point. I have been incarcerated this fortnight in a so-called open detention facility somewhere in Andalusia, on the grounds that I am an illegal infiltrator into your majesty’s kingdom.

You may recall that at the end of last month I requested your leave to travel to outlying areas of your realm to ensure that your highness’s taxes are being collected efficiently. Just outside of Toledo I was abducted by a gang of gendarmes claiming to be in Your Majesty’s service. They served me with a warrant for my arrest—which I am sure was fabricated by Her Majesty’s enemies, or perhaps by lackeys of your most royal but not always very sharp husband, who could easily have been tricked into signing a document unread—on the grounds that I reside in Spain illegally.

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What Truman Got Wrong About a Jewish State

Gershom Gorenberg

My review of John Judis’s “Genesis: Truman, American Jews, and the Origins of the Arab/Israeli Conflict” is now online at The American Prospect:

On May 12, 1948, President Harry Truman convened a tense Oval Office meeting. In less than three days, Britain would leave Palestine, where civil war already raged between Jews and Arabs. Clark Clifford, Truman’s special counsel, argued the position of American Zionist organizations and Democratic politicians: The president should announce that he would recognize a Jewish state even before it was established. Secretary of State George Marshall was incensed. “I don’t even know why Clifford is here,” Marshall said. “He is a domestic advisor, and this is a foreign policy matter.”

Marshall was asking for an impossible division. Foreign policy and domestic politics can’t be kept apart in a democracy, nor should they be. But this incident, described in John Judis’s Genesis: Truman, American Jews, and the Origins of the Arab/Israeli Conflict, shows that the question of whether U.S. policy toward Israel is captive to a special-interest group has existed even longer than Israel has.

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The Dryad — “Necessary Stories” from The Jerusalem Report

Haim Watzman

She laughed and shook her head as she unrolled the clingy plastic from around her slug-shaped sandwich. Down below, raucous teenagers gamboled in a spring that seemed to be the source of the river along which she and her companions had hiked all morning. She laughed at how easy it had been not to think about it, how well her plan had gone. Her companions were no longer visible ahead. Soon they’d wonder about her and send someone back in search. In the meantime, she’d have something to eat.

 illustration by Avi Katz

 illustration by Avi Katz

The rains had not yet come, yet the Tzipori River had flowed gently but surely along its terraced channel as they walked beside it that morning. At one point it bowed and nearly circled a low hill on which a tiny village perched. Children played in a schoolyard. The leader had given the village a name that she could no longer remember. Further on was an old millhouse that you could now rent out for weddings and bar mitzvahs. There the trail had crossed the river (all of three meters wide) and she had followed the others over half-submerged stones. The water, which the leader said was partly sewage, washed over her boots. Last to cross, she had probed the riverbed with her poles to steady herself. She thought of turning back but did not.

She hadn’t hiked seriously since her teenage scout years, which were three decades past by now. Back then, at tough spots, like the river crossing, the boys were always ready and eager to help. Some were very serious about it, as if pulling her up a boulder or guiding her over a narrow spot in a path above a canyon was the very reason that they had been placed on this earth. Others had laughed at her fears, in a big-brotherly way (she was the oldest in her family, and had always wanted a big brother). In this group, today, the others were obliging but cool.

She signed up for the hike because she knew it would be good for her.

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Inta Omri — “Necessary Stories” from The Jerusalem Report

Haim Watzman

       illustration by Avi Katz

       illustration by Avi Katz

Ilana elbowed me and eyed the couple sitting to our left in the Hirsch Theater. Shaken out of the reverie brought on by the Tarshiha Orchestra’s rendition of Um Kulthum’s hit song “Raq al-Habib,” “The Servitude of Love,” I followed her gaze. The woman to my left was tapping out a text message on her Android as she whispered to her husband, who had a large knitted blue-and-white kipah on his head.

“Hadas,” she said, apparently in response to his question.

“Did you tell her?” he asked.

“Doing it right now,” she nodded.

I caught her eye and put a finger to my lips. I also pointed to the phone, as if to say that the glow was distracting me. She shrugged and muttered “Almost done.”

“Did she say anything about Ya’akov? Why he didn’t come home?”

The young woman who was standing in for the late great Egyptian chanteuse finished the song with a flourish and the audience cheered. Nasim Dawkar, the concert master and conductor, called another member of the chorus up to the solo microphone to sing another song composed by Muhammad al-Qasabgi, to whose works the night’s concert was dedicated. The woman at the mike, plump and heavily made up, launched into an Um Kulthum favorite, “Inta ‘Omri,” “You are My Life.” Ilana smiled and mouthed the words silently—it’s a song her mother used to sing to her and which Ilana sang to our own children.

Over the years I’ve come to appreciate Arab music. Now I know why it sounded like annoying noise at first—it’s based on an entirely different scale than music in the West,

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That’ll Be the Day — “Necessary Stories” from The Jerusalem Report

Haim Watzman

The American ambassador wearily removed a cleaning cloth from the black case he’d placed on the prime minister’s desk. He shook it open, gazed sadly at the dust that danced in the beam of the ceiling light, puffed on his lenses, and rubbed the cloth over them. Holding his glasses up to the light, considered the flexible frames that had cost him an arm and a leg, and saw that they were still smudged. But at this point he no longer cared. Perhaps, he thought, Israel’s leader was better viewed blurrily. The prime minister seemed to be shouting in a deep, throaty voice.

       illustration by Avi Katz

       illustration by Avi Katz

“Come on everybody, clap your hands!” the blurry premier seemed to be saying. “Are you lookin’ good?”

The ambassador tried to collect his thoughts. He knew he did not look good at all, and this did not seem to be the prime minister’s voice.

He felt two strong hands grab his and pull him out of his chair. “We’re gonna do the twist and it goes like this!” the voice explained.

“Weren’t we talking about American aid?” he mumbled as the body before him gyrated like a dervish with an inner ear infection.

Then he saw that the voice was coming not from the prime minister but from the large plasma screen on which the pm generally monitored the BBC for anti-Semitic news coverage. A black man in a suit was singing: “Yeah, let’s twist again, twistin’ time is here!”

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Dirty Jokes — “Necessary Stories” from The Jerusalem Report

Haim Watzman

The old clock on the café counter inside ticked at least five times before the men began to laugh. At first it was just Nissim, whose trinket shop was just up the hill on Strauss Street, on the border of Mea Shearim. He guffawed as if he didn’t really want to, as if guffawing were the last thing he should be doing at this moment, when they were about to set out for a battle in which many of them were sure to die. But he couldn’t help himself, and when Shlomo joined in with a real belly laugh, coming straight from his very prominent belly, Nissim felt free to enjoy himself. Then Meir joined in, his thumbs pressing out against the straps of the threadbare paratrooper’s pigeon vest that he had been incongruously issued to carry his ammunition in. Arthur, the lost American with the mustache, banged his rifle against the Ta’amon’s display window so hard that Feibel looked up from his newspaper, wiped his hands on his apron, and shuffled out to yell at them.

       illustration by Avi Katz

       illustration by Avi Katz

When the laughter died down and Feibel had gone back to spreading out used teabags to dry, Nissim ventured to ask Pini whether any of it was actually true. Pini shot him a condescending glance and Nissim mumbled, “Well, the stories you hear about Paris!”

Shlomo started laughing again. He shook his head. “That’s real talent,” he chuckled. “It takes real talent to tell a joke like that well. I mean, I can just picture them, the babushka and the rabbi and the convent girl! Where’d you learn to tell a joke that way?”

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Hooligan Oil — “Necessary Stories” from The Jerusalem Report

Haim Watzman

Hooligan oil? Did you say hooligan oil? I’m so sorry, I was deep into this letter from my sister back east, I didn’t even hear you come into the store. It’s so quiet this time of day, in the early afternoon, sometimes I just close up and go for a walk.

       illustrations by Avi Katz

       illustrations by Avi Katz

Alaska’s spring is so beautiful this year, the lupines are blooming early and it’s simply glorious. I always tell my girls, Sarah, Minnie, I say, there is so much to look at in this world, I mean irises the color of the purple of Sidon. Turn your gaze on them, not on Harry and Joe, the ships’ boys on the passenger steamer from Dyea. You might notice that the irises, unlike Harry and Joe, don’t have pimples. Max, Simon, I say, don’t walk with your eyes on the ground, look around you, see what an Eden God has given you here in Skagway.

Now let me see, hooligan oil, not many people ask for that any more, but you know that they used to call it “liquid gold,” before they discovered the solid stuff it was made the natives’ fortune, such as they had. I know some women who say it prevents wrinkles, but others can’t stand the smell. Once Max, he is only twelve but a true rascal, got hold of a bunch of those fish, hung them from the rafters in their bedroom, and lit the tails. Nearly burned the house down! He said that he wanted to see if what the old-timers said was true, that you could use the fish as candles. You want to be scientists, I’ll send you to Harvard, I say. No experiments at home. But better they should study medicine. It’s one profession where we people can make our mark, where we get some respect.

No need to say it in such a low voice. Nothing to be ashamed of. Yes, Jews.

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