Haim Watzman A plaint about the inordinate length of too many contemporary Israeli novels. “Do not speak slightingly of the three-volume novel,” Miss Prism, the governess, cautions her charge in Oscar Wilde’s The Importance of Being Earnest. Through four decades of reading Hebrew novels, I have diffidently heeded the sage advice of this sterling Victorian … Read more
A family in crisis after its first-grader skips school for a space trip.
Paltiel held the plastic container up to the rays of the morning sun coming through the living room window. Transparent, with a close-fitting red lid, it was filled to the halfway point with what looked to be powdery sand, the kind that the hamsin winds blow up from the south each spring. The kind that is the bane of soldiers, that forms drifts against the hills of the Judean desert in which feet sink deep, making every step an effort and running impossible.
Heli’s lips were pursed angrily, and there were tears in her eyes. She stood erect, a few steps behind him, her fingers curled and rigid.
Yoav, their six-year-old, stood between them,… continue reading at The Times of Israel
Being alone and being together–Pesach in the time of Corona.
The door opens just enough that I can see a single eye examining me. For a second, I can’t breathe. There’s something familiar about it. But the feeling passes.
Below, about waist high, another eye blinks at me, then lurches back, as if a hand belonging to the eye above has just yanked it.
“Who are you?” a woman’s voice accuses me.
“Yinon. Your neighbor.”
The little boy squeals.
“You’re the old man? You live next door?”
I wince at the description but acknowledge the fact. “You’ve seen me. But I don’t go out a lot, so maybe not much.”
“What do you want?”
I point at the floor. “There’s a package for you. From SuperPharm. It’s been out here since yesterday. Tonight is the holiday, the Seder. I thought you’d want to know.”
In which I ponder father-son relations while channeling Neil Young and Israel’s second-best writer of short fiction
Avri turns the volume up from loud to deafening. I bang on his locked bedroom door with the hand holding my new copy of Fly Already.
“Turn it off!” I bellow. “And open up this door!”
“What the hell is going on in this house?” Etti shouts as she comes home from work. “Can’t a person get a little peace and quiet after a long day?”
I emerge from the hallway, intending to shout back, but instead I just stand there. I can’t speak because of the tears in my eyes… continue reading at The Times of Israel
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My kids don’t listen to me, my life’s total chaos, who will I vote for, and what is this music?
Just as Ekatarina instructed, I walk unobtrusively on to the YMCA concert stage after the performers receive their applause. I sit down on the chair behind Bashkirova’s bench. It’s easy, Ekatarina said, no one will even know you’re there. Just follow along and turn the pages. Don’t let your mind wander. Bashkirova has a nasty left kick when she takes her foot off the soft pedal… continue reading at The Times of Israel
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Necessary Stories, a collection of twenty-four of the best of Haim Watzman’s short fiction, is available as an e-book, paperback, and hardback on Amazon,
Two estranged friends discover that they betrayed each other one night decades ago.
Snir bit glumly into his eggplant-and-tahini sandwich and squinted at the sun hanging over the line of mountains to the east. He sat atop a train-car-sized gray-green granite rock that a primeval upheaval had cast on top of another just like it on the peak of Monsanto, the sacred mountain where the Knights Templar had built a massive fortress to hold the line against the Moors. … continue reading at The Times of Israel
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Necessary Stories, a collection of twenty-four of the best of Haim Watzman’s short fiction, is available as an e-book, paperback, and hardback on Amazon,
What you see and what you might unexpectedly get by gazing through rear windows at election time
It seemed like an odd place to die, in a hard wooden chair placed in front of a back-facing bedroom window.
“I told you that nothing is to be moved,” Ofek had ordered while showing the apartment, when I tried to place it next to the wall so that I could take in the view. “Especially the chair.”
“And the sign?” I said nervously, looking down on the big black banner hanging from the outside railing. From the outside it couldn’t be missed. It depicted the late Rabbi Ovadia Yosef … continue reading at The Times of Israel
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Necessary Stories, a collection of twenty-four of the best of Haim Watzman’s short fiction, is available as an e-book, paperback, and hardback on Amazon,
I’m back in the shuk with my new story, but with a different subject. This time it’s about a couple doing political street theater, and how their message gets across, or doesn’t.
The little square down the stairs from the Iraqi shuk seemed like just the spot. There was a ready-made audience—the tourists and Tel Avivians eating at the trendy-authentic Azoura restaurant on one side and the old Sephardi men playing backgammon in the dilapidated clubhouse on the other. The Jewish hawkers and their Arab workers at the stands selling greens and oranges, and the old ladies and student couples picking out produce, provided a low-level hubbub of voices better than any background music. Matan and Michal put out their hat, unpacked their backpacks, and began their performance. Continue reading at The Times of Israel
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Necessary Stories, a collection of twenty-four of the best of Haim Watzman’s short fiction, is available as an e-book, paperback, and hardback on Amazon,
Michael gropes for the handkerchief he’s sitting on and wipes the sweat from the top of his head, the whole area encircled by the fringe of brown-flecked white hair that crowns his head like a withering laurel wreath. He’s back for his volunteer day of driving Gazans for medical treatment in Israel. The Erez checkpoint, on the border, comes into view. He hears chanting, a Hebrew slogan shouted through a megaphone, a woman’s voice, but he can’t make out the words. The demonstrators are in the designated spot, just outside the checkpoint’s perimeter. Allowing himself just a sip from the flask he keeps in the car door, he slows down and glances at his cell phone. Sister Nabila. That’s the name the Road to Recovery organization gave him. She will be accompanying an orphan who needs medical treatment in Israel.
I never let them touch me. I told Dima that at every opportunity, once she was old enough to understand. When she’d learned from her friends what I could not bear to say and what the Rosary Sisters would tell the girls only the following year, she said she did not believe me. Believe me or not, I said, you will not go die for them.
I long ago stopped believing myself. Stopped believing the Rosary Sisters and Father Joaquin and Ismail Haniyeh and Abu Mazen and the pope and my own thoughts. Nasrin, the only thing you believe in is the sea, Mama screamed at me when my brothers found me on the beach instead of in class with the Sisters. Because, I screamed back, it’s where Gaza ends and the world begins. But I could never put even my foot in the water.
Our names were right. I was a lonely flower, Dima was a downpour. By the time she was fourteen she was climbing out of the bathroom window at the Rosary Sisters, shouting herself hoarse at demonstrations that no one heard, attending political meetings that no one cared about. When I raised the subject, she shouted at me about Israeli imperialism and European colonialism and patriarchal oppression. What does a girl with no father know about patriarchal oppression, I countered, trying to make a joke. But jokes only work if there’s a real world to joke about.
The Rosary Sisters taught a great deal, but I learned very little. I had no use for incarnations and visitations and transubstantiations, for a miracle’s only a miracle if you live in a world that operates according to laws and logic. Then a miracle can startle you out of the natural routine and give you a glimpse of something beyond. But in Gaza, where sewage runs down the street and your fridge operates just a few hours a day and where a brother or two, bored and distracted and unmanned by inaction and unemployment, beats you at incoherent intervals for no reason at all, there are no laws, so there can be no miracles.
Ido and I are starting on our second beer on a Monday night at Carousela on Mitudela, just off Gaza, when this old guy comes off the crosswalk, sits down at the table next to us, and begins to cry.
Ido turns and stares. It’s the second weird thing that’s happened since we took our regular spot on the patio to shoot bull and brainstorm our latest project, which is still in the cloudy stage but has, we’re sure of it, incredible potential to turn two part-time art students who met last year on their post-army South American trek into the Next Big Thing.
“Gavriel, he’s crying,” Ido says, too loudly.
Ido’s got talent, but he can be a pain. Says whatever’s on his mind, no filters. I put my hand up in a vertical salute, just by my left eye, to indicate blinders. “What do you think about putting up a strobe light under Ubinas and a mirror under Lake Salinas?” I suggest, referring to our multimedia sculpture, in which we will abstractly portray this newly awakened Peruvian volcano and adjacent salt lake with compostable materials as a metaphor for the bitterness and ecstasy of life and love. We’re not sure whether the volcano represents life and the salt lake love, or the other way around, but that will come, that will come.
Ido doesn’t take the hint. His first beer always gives him a double buzz. So he leans over, puts his arm around the old guy’s shoulder, and asks him what’s wrong. I don’t have time for this.
The guy is old, but how old? Sixty? Seventy? More? He’s got a fringe of white and brown hair surrounding a bald pate and a face that looks weathered and tired. But he straightens his gaunt torso as Lily, the waitress, complaining that she’s been literally run off her feet
Iris opens an eye to the sun above, then turns it to Yehoshua. Around them, a clearing of May’s green grass, not yet browned by the summer, stretches between the exuberant purple blooms of three jacarandas, among which iridescent blue sunbirds hover. Iris lies, and Yehoshua sits, on the top of a knoll skirted by the paths of Independence Park, so that even the occasional late morning Shabbat stroller does not disturb them. A west wind makes waves in the grass.
Yehoshua had passed this spot a few days earlier while riding his bike to his student waiter job at Tmol Shilshom. He spotted a pair of lovers on the peak of the hill, the girl lying on her back, sleeping peacefully, and the guy seated, leaning on his left arm, gazing at her face. A few minutes after passing, as he approached the restaurant, he circled back to the park to observe them again. The guy, with his short black beard and loose tee-shirt, could have been him. And the girl, in her loose trousers, with light brown hair splayed over the grass, could have been Iris. The guy was still gazing, the girl still dozing, and it seemed to Yehoshua that there, on that knoll, amid the purple flowers and shining dark birds, love was as pure as it ever could be. The sour face from the shift manager for being a few minutes late didn’t faze him. He would bring Iris to that spot on Shabbat, and they would be in love like that.
“What are you doing?” Iris asks, one eye still closed.
He smiles. “Gazing at you.”
“Well, stop it. It makes me nervous.” She closes her open eye. After a minute she opens it again. “I said stop it.”
“But you’re so amazing,” Yehoshua says, his whole heart in it. “How can I stop looking?”
She smiles, opens her other eye, and pushes herself up on her elbows. “What’s gotten into you?”
He’s not sure what the right answer is. He thinks back to that other guy and girl. He hadn’t heard them speak. It seemed they didn’t need to.