Following Haim’s recommendation, I went to see Ari Folman’s documentary, “Waltz With Bashir,” on the 1982 Lebanon War and the Sabra and Shatilla massacre.
Haim is right that every Israeli should see “Waltz.” But so should anyone elsewhere whose country has marched thoughtlessly into war, or for that matter, anyone interested in the art of film. My article about the movie is now up at the American Prospect. Snippets:
Virtually the entire film is presented in film-noir animation. Folman thereby bends the boundaries of his genre (even more than the recent, partially animated “Chicago 10” did). “Waltz” may be to the documentary what Art Spiegelman’s Maus was to the novel. Strangely, animation makes the film less fictional. Not restricted to old footage, Folman can portray scenes that no one photographed, just as a historian can recreate the past with the written word…